Vicky and the Treasure of the Gods

How a film reached the screen in stereo is the part of this record that matters most, and it is the part that is thinnest. What is missing keeps its row rather than being dropped, so you can see where the record stops.

Provenance

Converted Shot in stereo, converted afterwards, or a mix of the two.

Source 1

Conversion house

Not yet recorded The company that did the conversion, where there was one.

No source

Stereographer

Not yet recorded The person who set the depth. Rarely credited, rarely recorded.

No source

The catalogue will not store a fact without the address it came from, so every line above can be checked against the page it was taken from.

None of this is recorded above, because a single pass is not a confirmation. What it found is worth reading anyway, so the pages it opened are named and linked here and the answers it inferred from them are held back until a second source agrees. The lines below are what was written down off each page, not what we conclude from them.

• Wikipedia Wikipedia 3D-list duplicate row

  A second row dated 29 September 2011 says Filmed in 2D for the same title.

  Offered against provenance

• Wikipedia Wikipedia 3D-list row

  Vicky and the Treasure of the Gods | November 29, 2011 | Germany | Arri Alexa and STEREOTEC 3D Midsize Rigs | 2.35:1 | 96

  Offered against extent, camera system

• Wikipedia

  Offered against correction:camera

One reading argues with something this page publishes. Those are held for a second opinion rather than applied, and the record above is unchanged until one arrives.

Every film with research waiting on a second source

A TMDB record was matched to this film on its title alone, and the year did not corroborate it. Nothing from that record is shown here, because a synopsis, a cast list and a certificate belonging to a different film are worse than none at all. The 3D record above this section does not rest on it and is unaffected.